"Also, my characters feel like my children at times—I don’t want all of these bad things to happen to them. I want someone to swoop in set them on the right path (I especially felt this way about Rhonda in My Life as a Rhombus, and Madeline is practically breaking my heart right now as I work through the companion novel)."
"As my Dad used to say—it’s not a real meal if it doesn’t have meat!"Check out the full interview!
"And while Saving Maddie isn’t an autobiographical story, I very much felt like Joshua when I was a teenager—I felt like everyone was trying to force me to be this two-dimensional person. I was the smart one. The good one. I felt like few people saw the real me. But looking back on it, I’d bet that a lot of my classmates felt the same way, and perhaps I was just as guilty of seeing them in very confined ways as they were of seeing me."Check out the full interview.
"There was only one thing I knew when I started working on this book—that it would be from a male’s POV."
"There were some things I did right in the manuscript, but there were a whole bunch of things I did wrong—I interrupted the dialogue with huge chunks of description, Joshua’s parents were two-dimensional, and I apparently had an overabundant zeal for the word “breasts”..."Check out the full interview.
"As this book is all about love (and lust), many of the songs on my playlist are love songs—though I wouldn’t consider them happy love songs. Like Joshua and Maddie’s relationship, my playlist is a mix of seduction and despair, love and loss."Check out the full playlist!
"At the beginning of the novel, both Joshua and Madeline’s actions encourage others to see them in very confined, two-dimensional ways. It isn’t until we see Joshua and Madeline truly begin to interact that we start to see more of their real selves."
"I certainly don’t think the ethnicity of the characters is important in THIS story—the characters are Southern and religious, and that’s what I was most intent on getting across. Also, I didn’t want to manufacture a scene where the characters were commenting on their “blackness”—that just seemed silly."
"Johnson avoids heavy-handed messages with nuanced characters and a realistic treatment of Joshua and Maddie's complex relationship."In fact, here's the only "negative" thing the reviewer says:
"Unfortunately, the cover condemns this book to Girls Only."I'd actually been thinking about this before seeing this review, after recent online discussions with Collen Mondor about After the Moment and after seeing the comments in Edi's wonderful review. I realized that during the cover design process, I was so preoccupied with the skin/lip-tone of the cover model, I didn't think about if the cover was "anti-boy". And I'm NOT saying that the cover is or isn't boy-friendly--but I am admitting that I didn't put as much thought into this as I should have, and will hopefully do better in the future.